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Bad weather in Cannes

Bad weather in Cannes

Last week Cannes was hit with 18 foot waves that devastated the famous Croisette, the boardwalk which this week (if all goes according to plan) will be thronged with gawkers, paparazzi, journalists, filmmakers, film stars and wannabes.

Bad weather isn’t completely unknown in the South of France in May, but the festival rarely suffers more than a couple of rainy days. In any case, for the industry folk, the sunshine is very nice, but most of their time will be spent in the dark, checking out 30-50 films or more (there are hundreds to choose from), or in meetings, doing deals. The weather might put a dampener on things, but it wouldn’t be the end of the world.

In fact some would say another storm might be just what the doctor ordered: a bit of controversy never hurt the festival, and with the gaping divide between the art house sector and the mainstream, it may be the only way for Cannes to justify its place in the media spotlight.

Reporting from the festival’s award ceremony, we chat to jury member Angelica Hoston and award winners John Hurt and Tahar Rahim about the caliber of this year’s films and how it feels to win…

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Un Prophete at the London Film Festival

The Sight and Sound gala screening of Cannes Jury Prize winner Un Prophete (A Prophet) went down a storm over the weekend. And highlighted once again the stiff competition facing films in the inaugural ‘Best Film’ category introduced this year. (For the record, other films on the shortlist are: Balibo, Bright Star, Fantastic Mr Fox, MICMAC, Nowhere Boy, A Prophet, The Road, A Serious Man, The White Ribbon).

A Prophet would be a deserved winner, but I feel that when the Jury announce their decision tonight, it might lean in favour of the the only Brit entry (and Closing Night film) Nowhere Boy, in keeping with the festival’s British roots. However they could do a lot worse then plumping for A Prophet.

Director Jacques Audiard (The Beat that My Heart Skipped) French prison drama is a tense, at times violent, political look at life in a tough French prison, following the actions of 19-year old Malik El Djebena (newcomer Tahar Rahim). Malik enters prison with no history, no family and no friends (we never find out why he’s serving a six year sentence), an ‘Arab’ but not Muslim, he falls into no-mans land below the ‘Coriscans’, a group of prisoners who seemingly run the prison from the inside and the ‘Muslims’ – and goes to any means necessary in order to survive.

Malik’s journey is fascinating and Audiard’s look at the French political system and attitudes to faith are insightful. One of the best Prison drama’s i’ve seen in recent years.

A Single Man: Tom Ford and cast

A Single Man: Tom Ford and cast

Day 6 of the festival and this year’s event has got off to a flying start. At times it’s difficult to reflect on just how strong the calibre of films are when there are over 300 playing during the festival’s two week run, but so far the programme hasn’t disappointed.

Fantastic Mr Fox gave the festival a much needed injection of glamour (even if Mr Clooney refused to talk to the press), while his presence for the following night’s gala premiere of The Men Who Stare at Goats ensured that the festival received much needed international exposure. But it’s the third film of Clooney’s, Up in the Air, that proves to be a real winner. Written and directed by Jason Reitman (Juno, Thank you for Smoking), it plays on Clooney’s charming man persona and proves what a talented actor he is above the media hype and paparazzi.

Other festival hits so far include: John Hillcoat’s The Road, which has probably received the most praise for it’s faithful adaptation of Cormac McCarthy’s harrowing post-apocalyptic thriller. While Tom Ford’s A Single Man continued it’s strong run in Venice, showing here with universal acclaim and fueling the rumours of an Oscar nod for Colin Firth. Whose portryal of an English proffesor living in L.A mourning the sudden loss of his partner Jim (Matthew Goode), went down very well.