London Film Festival 2009

14-29 October

Cor blimey, where has the time gone? The Times BFI 53rd London Film Festival closed last night with a perfectly British send off in the form of the world premiere of Nowhere Boy, a drama about the teenage years of John Lennon.

The film marks Sam Taylor-Wood’s directorial debut and she graced the red-carpet in a beautiful gold gown, accompanied by the film’s lead actor – who’s also now her boyfriend – 19 year-old Aaron Johnson.

Of course we were there to report on all the glamour, plus take a look at why the London Film Festival is so special.

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Reporting from the festival’s award ceremony, we chat to jury member Angelica Hoston and award winners John Hurt and Tahar Rahim about the caliber of this year’s films and how it feels to win…

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Aaron Johnson as John Lennon

Renowned artist Sam Taylor-Wood has taken a big leap into the world of cinema, making her directorial debut with Nowhere Boy, a biopic of John Lennon’s early years growing up in Liverpool during the 50s.

The film’s been hotly anticipated – especially as Taylor-Wood is now dating lead actor Aaron Johnson, who, at 19 years old, is 23 years her junior – and received its world premiere at the festival’s Closing Night Gala.

Although the director may be a rookie the cast is strong, with emotional performances from Kristin Scott Thomas, Anne-Marie Duff and David Morrissey. And, while surrounded by experienced co-stars, Johnson competently carries the film as a cocky yet confused Lennon.

Angelica Huston with Tahar Rahim, winner for A Prophet

Last night’s award ceremony proved to be a high-profile affair with the festival giving away accolades for Best Film (the first time the BFI have offered such a prize), The Sutherland award for ‘original and imaginative first feature screening’ and the gong for Best British Newcomer.

The Best Film shortlist was comprised of Balibo, Bright Star, Fantastic Mr Fox, MICMACS, The White Ribbon, A Prophet, A Serious Man and The Road, decided by an impressive Jury that boasted Angelica Huston as head Juror and also featured Charlotte Rampling, Jarvis Cocker and Brit director Iain Softly. While much of the award buzz had concentrated on the Jury leaning in favour of the only Brit contender (Sam Taylor-Wood for Nowhere Boy), the surprise recipient was superb French prison drama A Prophet. The award was picked up by actor and star of the film newcomer Tahar Rahim, who couldn’t stop smiling. Expect big things for Rahim, he’s currently shooting with director Kevin MacDonald on his latest The Eagle of the Ninth.

In other categories, the Sutherland award went to young directors Yaron Shani, an Israli, and Shahir Kabaha, a Palestinian, for their gripping crime drama, Ajami, set in the occupied territories. While screenwriter Jack Thorne picked up the prize for Best British Newcomer for his screenplay for Brit drama, The Scouting Book for Boys, which sees This is England actor Thomas Turgoose star in a bleak coming-of-age drama.

With sufficient amounts of champagne flowing and with support from an high-profile film talent, the festival has set the stage for an influential and promising award ceremonial each year, that should be a worthy note to the international festival circuit.

It was a trip out for the Brits last night as Stephen Poliakoff’s first film since 1998, Glorious 39, received the red carpet treatment, joined by the stars of the film: Bill Nighy, Hughe Bonneville and Romola Garai.

We also learnt about Stephen Poliakoff’s penchant for drinking straws…. weird but true.

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Un Prophete at the London Film Festival

The Sight and Sound gala screening of Cannes Jury Prize winner Un Prophete (A Prophet) went down a storm over the weekend. And highlighted once again the stiff competition facing films in the inaugural ‘Best Film’ category introduced this year. (For the record, other films on the shortlist are: Balibo, Bright Star, Fantastic Mr Fox, MICMAC, Nowhere Boy, A Prophet, The Road, A Serious Man, The White Ribbon).

A Prophet would be a deserved winner, but I feel that when the Jury announce their decision tonight, it might lean in favour of the the only Brit entry (and Closing Night film) Nowhere Boy, in keeping with the festival’s British roots. However they could do a lot worse then plumping for A Prophet.

Director Jacques Audiard (The Beat that My Heart Skipped) French prison drama is a tense, at times violent, political look at life in a tough French prison, following the actions of 19-year old Malik El Djebena (newcomer Tahar Rahim). Malik enters prison with no history, no family and no friends (we never find out why he’s serving a six year sentence), an ‘Arab’ but not Muslim, he falls into no-mans land below the ‘Coriscans’, a group of prisoners who seemingly run the prison from the inside and the ‘Muslims’ – and goes to any means necessary in order to survive.

Malik’s journey is fascinating and Audiard’s look at the French political system and attitudes to faith are insightful. One of the best Prison drama’s i’ve seen in recent years.

Director Ang Lee (Sense and Sensibility, Brokeback Mountain) strolled into town for the premiere of his latest film Taking Woodstock last night. Joined by screenwriter James Schamus, and actors Henry Goodman and Imelda Staunton, Lee giggled his way down the red carpet. Perhaps it had something to do with the more uplifting nature of Taking Woodstock, compared to the rather tragic stories of his previous projects?

Director Ang Lee arrives at the premiere for Taking Woodstock

Not one to cause a stir The Mighty Boosh boys decided to make a quiet entrance at their UK premiere of their first filmic outing Bunny and the Bull, by bringing along some fish dressed friends. As usual Noel Fielding looked utterly at home surrounded by his new friends of the Ocean, while Julian Barratt seemed to keep his distance…

Bunny and the Bull

Noel Fielding at the premiere of Bunny and the Bull

Bunny and the Bull

Julian Barratt at the premiere of Bunny and the Bull